Most Popular

  • Curtain Call
    Denver mourns the loss of its favorite bipolar, one-armed comic/poet/playwright.
  • The Lords of Payback
    Jefferson County officials show Mike Zinna that what goes around comes around.
  • Doctor Eternity
    If Terry Grossman lives forever, he wants you to be there to see it.
  • Coleman's Soul Food
    Just in time for Juneteenth, a new restaurant gets to the Points.
  • Dudes!
    Jesse Jane won the Best Bod award, but the Dude got the real prize.
"Most Popular" tools sponsored by:

Recent Articles

Recent Articles by Mat Hall

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Critic's Choice

The Eels

By Mat Hall

Published on March 28, 2002

 The Eels have been invisible on the mainstream radar since their 1996 hit "Novocaine for the Soul." If the appearance of the band's enigmatic singer-songwriter E (Mark Oliver Everett) is any indication, the Eels have had no trouble embracing their status as commercial outcasts: These days, E is rocking a look best described as "Unabomber Chic," with his face completely obscured by oversized dark sunglasses, a hooded sweatshirt and the compulsory Montana-cabin-fever beard. On the band's recent release, Souljacker, the notoriously troubled E has also covered up. 1998's Electro-Shock Blues (an album recorded after the death of several of his family members), dove headfirst into E's mourning process, which at times was as hard to listen to as it was beautifully presented. Two records later, E has stepped away from his emotional microscope. Souljacker foregoes the melancholy for a much needed dose of the Eels' whimsical side: modest touches of idyllic-sounding strings, simple programmed beats under fuzzed-out guitars and a cast of odd characters that first reared their own peculiar heads on the band's debut, Beautiful Freak. At the Fox Theatre on Wednesday, April 3, watch the Eels trot the carnies out in song.



Westword Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com