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DEVOTCHKA
NOMINATED IN ECLECTIC
Impossible to pigeonhole, DeVotchKa has entranced a growing fan base across the Southwest with its unique melting pot of gypsy vaudeville, classical strings, polka, and hooks that sound as if they're barreling straight out of a spaghetti -- or possibly goulash -- Western soundtrack.
The band -- vocalist/guitarist/trumpeter Nick Urata, violinist/accordionist Tom Hagerman, drummer/trumpeter Shawn King and Jeanie Schroder, who plays the sousaphone and upright bass -- recently released its second album, titled Una Volta. Vacillating between haunting and ecstatic, the disc is a revelation, a fitting complement to the band's memorable live shows.
DeVotchKa recorded the CD at Wavelab Studios in downtown Tucson. "We'd wake up, get this awesome breakfast at this historic hotel [the Hotel Congress] and walk to this studio where you're surrounded by killer vintage instruments," recalls King. "Something really clicked; we made a record I'm super proud of."
Urata and company are currently touring the nation as the backup band for the traveling BurlesqueFest extravaganza, but touring Arizona and New Mexico with mariachi/indie-rock fusion act Calexico last year "was pretty epic for us," says King. "We started to hit it big in Arizona -- better than Colorado."
So is DeVotchKa planning to make like the Apples in Stereo and Slim Cessna and trade the Rockies for a change of scenery, in this case the saguaro-speckled desert? "I would love to move down there," answers King. "I really felt like we found home." But mention the triple-digit high temps that dominate Tucson summers, and King waffles. "We'll definitely have to do future recordings in the winter," he says. -- Peterson
DIALEKTIX
NOMINATED IN HIP-HOP
MCs Mest One and Jarvis, the frontmen of Dialektix, have come a long way since the hip-hop combo's formative days recording in the bedroom of Mest's apartment.
In the middle of recording the group's debut album, 2001's The Return of Sid Finch, Jarvis had to pawn one of the two keyboards the musicians had been using, cutting production in half. Then, during the recording of 2002's eponymous EP, their creativity was limited by the constraints of a meager budget and the studio's ticking clock.
Consequently, Dialektix has taken its time within the relaxed confines of its own studio, the Cracker Factory, for its next effort. "We were not pressured by studio time," says Mest. "When we're not flowing, we can take a break and revisit things later." Bolstered by the addition of DJ Destro, whom the MC refers to as "the best DJ in the state," and the confidence amassed from performing over one hundred shows in the past two years (with Atmosphere, Storm the Unpredictable, Black Sheep and Five Fingers of Funk, among others), the band has completed fourteen of sixteen tracks for the new album.
"Everything will be looser, but with a tighter sound on this album," offers Mest. "We're just trying to put together the best product we can, so we can hopefully generate enough cash to keep putting out album after album and tour."
According to Mest, southern Colorado, New Mexico and Texas are all on the itinerary in the near future. A return trip to Texas should be well received: Last year the act played a hip-hop showcase at Elements in Dallas to a packed house. Though the group has plans to take the show on the road, the players are far from making their mark on Denver. The local hip-hop scene, much like Dialektix, has come a long way since its formative years.