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Recent Articles
Recent Articles by James Mayo
This revered hip-hop framer isn't crazy about the state of the game.
Meet the three righteous teachers behind Hip-Hop 101.
Wednesday, April 25, Fillmore Auditorium, 303-830-8497.
Kingdom Come
Roc-A-Fella
After being locked up for a decade, Lyfe Jennings found freedom in music.
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SF Weekly
A blogger steals someone else's life story and calls it her own.
By Ashley Harrell
Miami New Times
The family of a dead judge blames a creeping fungus in the federal courthouse.
By Tim Elfrink
The Pitch
I worked at Kmart with John McCain's director of strategy.
By Alan Scherstuhl
Jay-Z
Kingdom Come
Roc-A-Fella
Published on December 07, 2006
Few believed Jay-Z would actually stay retired, so his return is no surprise. But why come back now? He went out on top, and as president of Def Jam, he's the head of rap's premier institution. What more could he want? The Dr. Dre-produced track "30 Something" may provide some insight: Evidently, it's all about "the maturation of Jay-Zeezy." Throughout the disc, Hova demonstrates that the genre he helped popularize can indeed age gracefully, as he simultaneously schools younger sucker MCs and responds to attacks from Def Jam artists, former friends (Damon Dash) and subpar MCs (Cam'ron). Elsewhere, Jay offers a primer on urban upward mobility ("Oh My God") and sermonizes about his unlikely rise to become the Horatio Alger of hip-hop. Just Blaze helms the latter cut, twisting knobs on Greg Allman until he sounds like Janis Joplin on helium at a church revival. Rejuvenated and focused, the self-proclaimed former Marcy-project terrorist proves there is more to life than slinging rocks. Just don't call it a comeback.