Recent Articles

Recent Articles by Nick Hall

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

Editors

Friday, February 1, Ogden Theatre, 303-830-8497.

By Nick Hall

Published on January 31, 2008

It's a safe bet that at least one member of Editors has a tattoo commemorating Ian Curtis. The act's debt to the joyless Division is so elemental that lack of corporeal acknowledgement would almost seem disingenuous. Even so, Editors aren't merely mired in slavish imitation. Building on a foundation of dark, simplistic song structures and morose lyrics, the British four-piece layers in lush vocals, jaunty disco beats and enough brightly chiming guitars and flashy cymbal crashes to throw some sunlight into the shadows. Meanwhile, the band often employs minor key changes offset by major key flourishes, as if it had a split personality whose sides are constantly struggling for supremacy. There's always been something thrilling about pitting light against darkness and good versus evil that appeals to the human psyche. Editors find that chord and create highly engaging music around it.



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