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The Magnet Mafia Sticks to Street Art

Continued from page 3

Published on February 21, 2008

"It made me nervous that they had my name and I was going to go in some database, like I'm some renegade graffiti artist out to destroy downtown with my hideous magnets or something," says Bloom. "I thought the whole idea of the Magnet Mafia was this was a type of funky graffiti that didn't damage anybody's property. People could just peel it off and take it with them, sort of like spreading artwork."

The e-mail came from Erik Helgeson, a 26-year-old service representative with the Downtown Denver Partnership, the private group funded by downtown businesses that helps maintain, improve and promote that part of town. The Partnership spends an estimated $95,000 a year for private contractors to clean up graffiti; in 2007, they dealt with 9,132 pieces. And after those contractors spotted hundreds of magnets downtown, Helgeson says, the Partnership looked for the artists' names, and then "we contacted them to let them know it's illegal."

But who says it's illegal to hang magnets in Denver?

In the summer of 2006, an undercover cop dressed as a homeless person spotted Harrison placing a magnet on an electrical box on the side of a building in Capitol Hill. Harrison was arrested and charged with trespassing (the box was considered to be on private property) and "posting unauthorized posters." He spent thirty hours in jail before he could reach Matt to come bail him out. But when his case came up for a hearing, the city attorney took one look at the file and immediately dismissed the posting charge; Harrison pleaded guilty to misdemeanor trespass.

Helgeson's e-mail to the contrary, Detective George Gray of the Denver Police Department's Graffiti Unit says he'd never heard of the Magnet Mafia before being contacted by Westword. His unit is focused on taking down major graffiti crews and tagger gangs, not arresting people who make art on magnets. "Since there is obviously no damage, you'd pretty much say, 'Hey, take that down,'" he explains. "As far as my position, I don't see that as being illegal, or my job to enforce — except for the trespassing thing, if they had to cross onto private property to do it."

Over at the Crime Prevention and Control Commission, the city agency charged with managing anti-graffiti policy, they're more familiar with the work of the Magnet Mafia. "Yeah, they've been seen around town," says spokewoman Neddra Niblet. "They've been taken down." But city ordinances define graffiti as markings posted on property without consent by means of "painting, spray painting, drawing, etching, carving, scratching or any similar method." There's no mention of magnets.

"I'm kind of struggling with exactly where the magnets fall," says Denver Department of Public Works spokeswoman Ann Williams after Niblet refers further questions to that agency. Public Works often deals with fliers and advertisements for concerts or businesses that are hung without permission, Williams says, adding that she needs to ask around for the policy regarding magnets.

Another Public Works spokeswoman soon calls with that information. "Unless it's an advertisement or it interferes with a traffic sign, we're not going to take enforcement steps," Revekka Balancier says. "The law says the unlawful poster will be liable for the cost of removal, and in this case, there is no cost of removal, so we would most likely leave it be."

But the Downtown Denver Partnership holds to its darker view of the Magnet Mafia. "They're very organized," says operations manager Don Pesek. "They put their little number on the back of their magnet, and they have their little website, and they're very proud of defacing public property." While Pesek acknowledges that magnets do far less physical damage than standard graffiti, he insists that magnet removal comes at a cost. "Particularly when someone has to get up on a ladder or get the bucket truck to remove a magnet that's way up high," he says. "And it's still visual pollution. I mean, when you're driving down and you see this scribbling, it's still, I feel, offensive to the community."

Apparently, no one explained to the Partnership that last fall's offensive magnet influx was part of Denver Arts Week. Jayne Buck, vice president of tourism for the Denver Metro Convention & Visitors Bureau, organized the seven-day arts celebration; to help promote the project, her office coordinated with Rodney Wallace, a "real innovative" artist and Magnet Mafia member. "His idea was art infestation," Buck remembers, "and he wanted to put art in public places or just at random and make sure that Denver was seen filled with art."

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