For Florida's sole remaining sex surrogate, love is a many splintered thing.
It's not just giant companies cashing in on America's defense industry.
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
A diner's guide to Texas's oldest Mexican restaurants.
Unexpectedly, though, complaints about the Post's offering arose shortly thereafter. First, on March 14, E&P printed a story in which Emily Achenbaum, a onetime Charlotte Observer scribe now writing for the aforementioned Tribune, argued, among other things, that Greene should have credited earlier Observer stories about Floyd Brown, a mentally challenged North Carolina man whose incarceration dominated the final part of "Truth." Then, a few days later, word surfaced that the Denver District Attorney's Office, under the leadership of Mitch Morrissey, had taken issue with parts of the Moses-EL story as early as July 24. (Westword obtained the correspondence after a request to the DA's office.) Nearly five weeks later, on August 29, Post managing editor Gary Clark finally responded to these gripes, writing Morrissey that "I see no reason to retract or correct any of our reporting." On September 7, Morrissey sent Clark a personal reply that concludes, "I still believe the story is incorrect and that the Denver Post has done a disservice to its readers."
The timing of these disclosures suggests the sort of coordinated campaign the Pulitzer powers have long tried to avoid. Unlike, say, the Oscars, the names of Pulitzer contenders aren't officially confirmed until after the winners are revealed. This information frequently leaks out in advance, but administrator Sig Gissler has done his best to plug the holes, and his efforts seem to be meeting with some success; a complete list of 2008 Pulitzer hopefuls hasn't surfaced to date. Moreover, the Pulitzer board, which decides who gets recognized, is relatively small — just eighteen individuals, including Gissler — and members routinely recuse themselves from judging material submitted by publications with which they're associated. "There's no campaigning, no lobbying," says Denver Post editor Greg Moore, who's been on board for the past four years. "It's about the purest meritocracy I've been a part of."
That's the context in which Achenbaum tried to place her concerns. She told E&P, "I would hope that journalism's biggest prize would only go to reporters who acted ethically and honestly" — a loaded statement that Greene, now a Post columnist, attacks with vigor. Although Greene read the Observer's coverage during her research process, she emphasizes that she did all of her own reporting, making several trips to North Carolina to talk to principals in the Floyd Brown matter: "We investigated the case for months and months and put it in a national framework of evidence destruction, which is something they never did." Along the way, the reporters got acquainted, exchanging e-mails and phone calls, and when Greene couldn't attend one hearing, she asked if Achenbaum, who was covering the proceeding, would join her for dinner that evening so that she could catch up on what she missed. However, Greene says she considered it more of a collegial invitation than an effort to get Achenbaum to do uncredited legwork. In the same spirit, she asked Achenbaum which official she'd contacted to learn that the state of North Carolina had spent $2.3 million keeping Brown in stir — and when Achenbaum wouldn't pass along the name, Greene says she found a source who provided another total, $2.1 million. Yet Achenbaum, in the E&P article, accuses Greene of merely wanting her to confirm the other figure.
Amid all this parry and thrust, Moore and Observer editor Rick Thames tried to resolve any controversy, and both came to what they describe as a mutually satisfactory conclusion. Thames says Moore confirmed that Greene independently verified everything she reported and assured him that the Post hadn't intended to take credit for Brown's subsequent release in follow-up stories, which noted that his attorneys filed for a remedy after "Truth" appeared. As for the contradictions between Achenbaum's and Greene's accounts about their interaction, Thames stresses that "I don't have any reason to doubt our reporter, and Greg feels the same way about Susan Greene." But in the end, he believes, "their disagreements didn't affect the story."