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Recent Articles
Recent Articles by Eryc Eyl
Light and the Machines
Self-released
The band's first full-length album charts new territory.
Cheer on your favorites at the US Air Guitar Championship regional competition.
Saturday, June 7, hi-dive, 720-570-4500.
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Tera Melos
Friday, April 18, Marquis Theater, 1-866-468-7621.
Published on April 17, 2008
Though powered by prog pretentiousness and punk pissiness, Sacramento's Tera Melos isn't just another band of post-rock pansies. These guys came to agitate and irritate anyone who shows up with a preconceived notion. Nick Reinhart layers guitars, loops, electronics — and even the occasional vocal melody — over Nathan Latona's wobbly, whomping bass and Vince Rogers's maniacally masterful drumming. If Robert Fripp, Adrian Belew and Squarepusher formed a Minutemen tribute band, this trio's complex compositional structures, angular rhythms and unpredictable instrumental detours could be the result. And while Tera Melos tunes might have their roots in improvisational jams, the rhythmic focus and balls-out aggression of these three mathematical instrumentalists prevents them from devolving into wanky, noodling dandies. Just when you think the act has lost the thread and a song has gone down the rabbit hole, Tera Melos throws in a melodic moment of pop perfection to piss off the purists and ensure equal opportunity for annoyance.