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Recent Articles
Recent Articles by Michael Roberts
Tuesday, September 2, hi-dive, 720-570-4500.
Saturday, August 30, Cervantes' Masterpiece Ballroom, 303-297-1772.
Everything That Happens Will Happen Today
EverythingThatHappens.com
Please, Ambitious, Please
Self-released
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National Features >
Houston Press
A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.
By Rich Connelly
City Pages
Today Denver, tomorrow the Twin Cities.
By Matt Snyders and Bradley Campbell
The Pitch
A country musician rescues Waylon Jennings' tour bus from the scrap heap.
By C.J. Janovy
Village Voice
The provocateur who brought you "Piss Christ" pinches off a new concept.
By Lynn Yaeger
Motley Crue
Sunday, July 27, Fiddler's Green, 303-830-8497.
Published on July 24, 2008
When veteran groups release albums long after their commercial prime, the CDs are routinely described as new. But this last word usually belongs in quotes — a point proven by Saints of Los Angeles, the most recent platter by Mötley Crüe, joined at Fiddler's by Buckcherry, Papa Roach, SIXX:AM (Nikki Sixx's other group) and Trapt. The disc's sound consciously evokes the nasty grind of the hair-metal era, and that's fine — better that than playing riff rock over faux-Timbaland rhythms. Lyrically, though, the tunes tend toward tedious nostalgia for the good ol' days: "What's It Gonna Take" is dominated by images of girls doing powder on the Sunset Strip and label reps insisting that the Crüe will never write a hit, while "Down at the Whisky" pivots on the treacly hook "Do you remember when?" In fact, a lot of us do — and back in the day, such misty-eyed sentimentality would have been roundly ridiculed. Which remains a damn good idea.